Biography

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Françoise’s biography

1920-2005 in twenty-three stages

March 12, 1920

Birth of Françoise Marie-Thérèse Piston d’Eaubonne in Paris, third of the five children of Étienne and Rosita Mariquita (née Martinez Franco) Piston d’Eaubonne. On her mother’s side: of Castilian origins, her maternal grandfather was a Carlist refugee, thus a royalist who was rather conservative. On her father’s side: a very old French family whose first attested origins date back to 1082.

Years 1920-1935

From the age of 10, a childhood in Toulouse, where she and her family experience constant financial stress. In 1916, her father returns from World War I, a gassing survivor who fought in the trenches. In fragile health, he struggles to support his family. To raise their 5 children, her mother gives up a career as a mathematician. Françoise becomes the winner of the Denoël short story competition for children under 13. Although the contest only requires 200 lines, she sends the 225-page work Mireille, Fille des montagnes. Colette notices her and encourages her.

1940

Françoise obtains her baccalaureate in 1938. She enrolls in Law and Fine Arts, studies that she quickly abandons for a teaching position at the Péguillhan school run by her mother. Activities in the Resistance. Writing of the first part of the poems of Colonnes de l’âmes, which appears in 1942 with a preface by Joë Bousquet. The publisher, Jacques Aubenque, becomes her lover.

1944

Julliard publishes her first novel Le Cœur de Watteau; it will be followed by several others, including Comme un vol de gerfauts,a bestseller and winner of the Readers’ Award in 1947. Françoise will publish with Julliard until 1966, contributing to the growth of this publisher for which she also works as a reader. Birth of her daughter Indiana after a whirlwind marriage to Jacques Aubenque, who she leaves after departing from the town hall four months pregnant. In 1946, she returns to the Communist Party.

1949

Simone de Beauvoir publishes The Second Sex. Françoise writes to her:

– You are a genius! … We are all avenged!

After a first meeting, they lose sight of each other and will meet again four years later. They will remain friends until the death of Simone de Beauvoir in 1986.

1951

Julliard publishes her first feminist essay, Le Complexe de Diane, in defense of de Beauvoir’s book. Renowned novelist, Françoise throws herself into battle as she did some time before in the arena at the Biarritz fair. As noted by Élise Thiébaut in her excellent preface to the reissue of the work by Julliard in October 2021, in this work she creates a dazzling and often visionary analysis of the themes that she will focus on throughout her life: patriarchy, Eros, gender and feminism.

1956

Françoise leaves the Communist Party because she does not find it anti-colonialist enough (due to their stance on the Algerian war). She publishes La vie passionnée d’Arthur Rimbaud that year, a work preceded by eight other publications since 1951.

1958

Publication of Fort des femmes and Chevrette et Virginie, (Bibliothèque Verte), two novels which, like Indomptable Murcie,are released in 1949, in a long series of novels about heroines. Birth of her son Vincent, father unknown.

1960

Signing of the manifesto of the 121 for the right to insubordination in the Algerian war. That same year, Françoise publishes three books: La Vie passionnée de Verlaine, Verlaine et Rimbaud ou la fausse évasion and Le Temps d’apprendre à vivre.

1964

Publication of the first volume of her memoirs, Chienne de Jeunesse (Julliard not having accepted its original title Putain de jeunesse ). The second volume, Les Monstres de l’été, which recounts her painful love affairs, travels and political commitments over the period 1950-60, will be published in 1966. These two volumes will be brought together, with two other memoirs, in her autobiography published by Dagorno in 2000. Since 1960, she has published no less than sixteen books: sci fi novels, biographies, children’s books…

1970

In 1968, Françoise takes part in the occupation of the Odéon theater (Paris), and we see her on the barricades. She writes Eros minoritaire,a work devoted to the history of homosexuality During the previous 6 years, she has published less – only six books – including La Couronne de sable, vie d’Isabelle Eberhardt .

1971

Signature of the manifesto of the 343 for the right to abortion. Co-foundation of the Homosexual Revolutionary Action Front (FHAR). No books published; Françoise devotes herself almost entirely to her fights.

1974

Françoise forges the concept she calls “ecofeminism” in her major essay Le Féminisme ou la Mort , giving the nod to the book L’Utopia ou la Mort by René Dumont (first ecologist candidate, whom she supported in the presidential election that year). Creation of the Feminist Front, which will become the Ecology Feminism Center. She meets Alain Lezongar (20 years old), who will accompany her until the end and whom she will want to adopt.

1976

Practicing the militant words she preaches, Françoise marries, within the framework of her anti-carceral activism, the prisoner Pierre Sanna at the prison of Fresnes to protest against his prison sentence for murder. On découvrira plus de 40 ans plus tard qu’elle avait revendiqué dans ses écrits intimes avoir participé en 1975 au plasticage de la centrale nucléaire de Fessenheim, alors en construction.

1977

Publication of the essay Les Femmes avant le patriarcat; in this work, Françoise surveys the research of the time about the place of women in the evolution of the species and proposes a hypothesis concerning the date and mechanisms involved in the establishment of patriarchy.

1978

A prosperous literary year, Françoise publishes 5 titles including Ecology/feminism, révolution ou mutation? , Les bergères de l’Apocalypse and Contre-violence ou la résistance à l’Etat . But also L’indicateur du réseau , an autobiography built not on a chronology, but according to geographical places. This innovative form will be the subject of a thesis in Australia.

1983

Françoise gets involved in the adventure of the so-called “free” radio stations. Until the end of the 1980s, she hosts literary and political programs on several Parisian stations and mainly on Radio Mouvance, “anti-racist, anti-imperialist and anti-Zionist”, created by Roland Fornari.

1986

The death of her friend Simone de Beauvoir inspires Une femme nommée Castor , which appears in November. In 1984 and 85, she publishes the two volumes of Les Les obsèques de Jean-Paul Sartre, among six other works, including L’Amazone sombre and Louise-Michel la Canaque .

1990

Following the disappearance of Pastor Doucé, Françoise sets up a Committee to establish the truth. Three months later, we find the pastor murdered in the forest of Rambouillet. She publishes Le Scandale d’une disparition – Vie et Oeuvre du Pastor Doucé . But publishing is no longer so easy for her, and her writing takes a meditative and sometimes dark turn.

1992

Publication of Toutes les sirènes sont mortes . This novel, which she particularly likes, is well received. What part of herself is in the character of the writer – will we ever know one day?

1997

At a low point, Françoise takes a step back which will lead her to publish Féminin et Philosophie, une allergie historique , as well as La Liseuse et la lyre that year, a magnificent meditation on what has made up a large part of her life: writing and reading.

The 2000s

Françoise publishes Le Sexocide des Sorcières in 1999, arguing that these unfair trials were only a fallacious pretext to submit and condemn not just the Witch but Woman. In 2002, she wonders about our future in L’homme de demain a-t-il un future? Combien de temps durera le XXIeme siecle? In 2003, it will be L’Evangile de Véronique, the “bleeding woman” who confronts the Fathers of the Church. In a last public outcry against the detested patriarchy.

August 3, 2005

Having only put down her pen a few days before, the one whose motto was “Not a day without a line” dies in her apartment for needy artists on the rue du Montparnasse in Paris. She bequeathed to us more than 100 books, 3 new words for our language and a dazzling thought of an acuity today welcomed after a long period of oblivion. Suspecting she would be recognized after her death, she confided to us shortly before her departure that she had had a “somewhat failed, but joyful” life and that she was not sorry to leave this world in view of what was to come, while regretting leaving it to us in such a state.

2022 : Un bonheur viril

Paris, Des Femmes–Antoinette Fouque, 250 pages.

Released on November 10, this third volume closes (almost) the saga of the Without our knowing the reasons, this text, written in the early 1980s, had never been published. However, as Élise Thiébaut writes in her preface, “reading it I had the impression that it was the key to the whole saga, the entry point that allowed us to finally understand it in its entirety” .

It is about the global war of the sexes from the point of view of the enemy camp, through the neurotic vision of the founder of Gynophobia (a whole program…). We can draw a parallel with the work of Margaret Atwood, The Handmaid’s Tale, published in 1985.

Thanks to the IMEC who allowed us to exhume this manuscript, to Élise Thiébaut, as well as to Alain for his valuable proofreading work.. (Vincent)

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2022 : Il Femminismo o la Morte

Milan, Prospero Editore, 432 pages.

Released November 10, 2022, with a critical introduction by Sara Marchesi.

According to shared opinion, this introduction is very good. Sara Marchesi, beyond a careful reading of Françoise, shares with her sources of reflection, those which are not the most obvious to detect at first glance in Françoise’s work, such as the philosopher Simone Weil for example.

It is not impossible that, in the future, Sara Marchesi will meet Françoise again. After reading this introduction, we hope so. (Vincent)

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2022: Les Bergères de l’Apocalypse

Paris, Des Femmes–Antoinette Fouque, 650 pages .

1978.
Contrairement à beaucoup de lectrices et lecteurs bien plus lucides que moi, ce roman, à sa sortie, me passe au-dessus de la tête ; je m’attendais à quelque chose d’aussi charmant que Le Satellite de l’Amande et suis décontenancé. Avec ma lenteur d’esprit habituelle (pour reprendre une expression que Françoise avait employée avec fausse modestie envers elle-même), il m’aura fallu attendre 2022 et cette réédition par Des Femmes-Antoinette Fouque pour découvrir ce que je considère dorénavant être un véritable chef d’œuvre. I have one small regret left: that of not having been able to tell Françoise of my overflowing enthusiasm. (Alain)

Les Bergères de l’Apocalypse is the main opus in the Losange Trilogy, which also includes Le Satellite de l’Amande and Un bonheur viril, as well as various short stories. Françoise’s mastery of pictorial depictions of intense scenes is here of a dark intensity that yields nothing to Valérie Solanas’ SCUM Manifesto or Virginie Despentes’ Baise-moi.

Les Bergères is one of the 17 titles she published between 1974 and 1979, all the while leading a life of activism punctuated by numerous feats of arms. Written in one go, with little proofreading, she described it as “… modestly, an epic, which I wrote to let off steam… because I’m carrying around masses of fantasies, and I thought it would be good to have a bit of fun”.

Four years earlier, in 1974, in the throes of an eco-anxiety that was all the less named for the fact that she was practically the only one to experience it, Françoise created the neologism ecofeminism and conceptualized its meaning. Despite all her efforts, the term’s reception in France was virtually nil. Moreover, in 1976, the death of Ulrike Meinhoff, found hanged in her cell, caused her heartbreak. Les Bergères de l’Apocalypse is, I believe, a response to all this.

In a nutshell, women, rebelling “not so much for the wrong done to them, but for the wrong done to the planet and to life itself”, start an all-out planetary war against men that will lead to their disappearance.

A sequence in a literary programa clearly shows how the book was received at the time. Even if the exchanges are hushed, Françoise’s UFO is frightening in this frigid world that is largely unaware of violence against women, when it is not simply massacred, as the slow worldwide awakening of awareness is showing today.

To illustrate this hallucinatory saga, we needed nothing less than Mathilde’s great and beautiful voice in one of her most poignant songs. Françoise would have been a fan. (Vincent)

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2022: Le Satellite de l’Amande

Paris, Des Femmes–Antoinette Fouque, 176 pages .

1975. I am 21 years old, I have known Françoise for several months and we have already become inseparable. Des Femmes publish Le Satellite de l’Amande , a science fiction novel set in a world of women only. I’m excited. The exploration of the small exoplanet, the philosophical questions of the narrator, the light pen of the author, everything charms my tumultuous youth. 47 years later, Des Femmes editions are republishing this book, and it is therefore with particular pleasure that I set off again to discover this d’Eaubonnesque universe. (Alain)

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2022: Feminism or Death

USA, Verso Books.

The incendiary French feminist work that defined ecofeminism is now available in English for the first time.

Originally published in French in 1974, radical feminist Françoise d’Eaubonne’s work takes stock of the situation of women around the world and asserts that what is at stake in feminist struggles is not equality, but life or death – for human beings and the planet. In this wide-ranging manifesto, d’Eaubonne first proposed a political vision of ecofeminism, arguing that the patriarchal system’s claim on women’s bodies and the natural world destroys both, and that feminism and environmentalism must bring about a new “mutation” – an overthrow not just of male power but of the power system itself. As d’Eaubonne prophesied, “the planet placed under the sign of the feminine will green up for all”. (Source: Verso Books, DeepL).

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