Paris, Les Presses du Réel, septembre 2025

Introduction and comments by Fabienne Plume, foreword by Vincent d’Eaubonne. Françoise, who spent a few months at the Beaux-Arts on the eve of the Second World War, retained throughout her life a taste for pictorial expression, which was even her secret garden. Fabienne Plume, teacher and feminist art critic, enthusiastically took up this book which offers a reflection on women who are all the more present in painting when they are absent as creators, supported by presentations and analyzes of works.

“At a time when the great texts that have marked art history are being reissued (Linda Nochlin, Griselda Pollock, Carla Lonzi), in order to enrich current feminist reflection in art history, it was important to add another stone to this edifice: the thought of Françoise d’Eaubonne…. Histoire de l’art et lutte des sexes completes the panorama with a feminist reflection on the making of an already critical art history, a Marxist history of art, which does not include a feminist perspective. Françoised’Eaubonne stands at this crossroads, joining the most recognized art historians of her time with her powerful analyses, nourished by references to multiple fields, supported by a lively tone and solid argumentation.”

Paris, Le Passager Clandestin, poket edition, 5 avril 2024

This paperback reissue of the title, published in 2020 by the same editors, comes a month before another must-have, Ecoféminisme Politique by Ariel Saleh, which follows on from it.

Originally published in 1974, this seminal book opens up new perspectives for ecological and feminist struggles, which Françoise tells us are destined to join in the fight against the patriarchy that, in the same movement, subjugates women and destroys the planet.

Paris, Le Passager Clandestin, preface Geneviève Pruvost, 349 pages.

Building upon the publication of Feminism or Death (1974) and her scholarly research in Women before Patriarchy (1976), Françoise d’Eaubonne provides a more complex elaboration of her vision of ecofeminism in this work.

In opposition to reformist feminism, which she describes as “mom’s feminism,” but also Marxist feminism, d’Eaubonne adds two dimensions to her analysis of the exploitation of nature and countries in the Global South: in her view, liberating oneself as a woman to the detriment of the planet and through the labor and exploitation of the most vulnerable is not really a true form of liberation. For how can it be forgotten that at the other end of the supply chain there are women bent over in fields on the other side of the world? (Geneviève Pruvost, 2022)

Paris, Éditions Cambourakis, preface Isabelle Cambourakis, 268 pages.

Published in 1978 in a feminist publishing house, the book brings together various writings and poems by d’Eaubonne written from 1975 in response to certain events, including the death in prison of Rote Armee Fraktion (RAF) activist Ulrike Meinhof in May 1976 and that of four of her comrades in October 1977. Some of these texts were written on the spot, some were reworked several times before publication.. Reading this book raises the question of the evolutions and adjustments of d’Eaubonne’s commitment over time. (Isabelle Cambourakis, 2022)

“This book is an urgent reflection on Power and Violence. Françoise d’Eaubonne has a unique way of shooting red-hot at those who, imprisoning all thought, conflate Counter-violence with Violence. Brilliantly dismantling the hypocrisy of our society: “Non-violence is the tribute that a violent world pays to the idea of a society without violence”! Continuing her reflection, she attacks the source: power. It points to the need to destroy IT and take back OUR power, the power that everyone can exercise without limit.

Finally, she hits the bull’s eye with her final thrust, when she throws in the future: one day it will be the “Mutiny of women against the Society of Power ».” (Manon Soavi)