2025 : Remember Fessenhein

Paris, Editions Editions Grasset, septembre 2025

David Dufresne, still at the helm of his Brigade Au Poste, found the time to devote to his grandmother by writing this book.

You may have read by the same author Tarnac, magasin général, Prix des Assises 2012. In this book, intimate reflection is combined with rigorous investigation, a new way of documenting that has been hailed by the profession. Thirteen years on, David takes up the same approach and gives us a Françoise whose feats of arms were not limited to her action against the Alsace nuclear power plant. It’s a discovery that, contrary to her usual style, Françoise was able to keep a low profile.

At the same time, David gives his views on this impossible grandmother to complicated relationships with her daughter’s family (her mother), but in what ideal world are family relationships simple in a patriarchal society? In this back-and-forth between the personal and public action, the author follows a fundamental affirmation made by our sisters and mothers in the 70s: the personal is political. In this, among other ways, he is Françoise’s grandson.

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2025 : Causes communes, Tome I

Paris, Editions Grevis, 2025

This is the first edited volume of texts produced during the international conference on Françoise which took place in Caen in 2022.

Pauline Launay, from the Association Anamnèse, which has been working for over twenty years to preserve the memory of the humanities and social sciences, has done a remarkable job of bringing the book to life, and accompanies it with a preface that poses a number of interesting questions, adding to what has already been written about Françoise.

This first volume focuses on questions of alliance between struggles, the legitimacy of recourse to violence and its limits, and the need to find ways of continuing to live, drawing on Françoise’s life and work.

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2025 : Histoire de l’art et lutte des sexes

Paris, Les Presses du Réel, septembre 2025

Introduction and comments by Fabienne Plume, foreword by Vincent d’Eaubonne. Françoise, who spent a few months at the Beaux-Arts on the eve of the Second World War, retained throughout her life a taste for pictorial expression, which was even her secret garden. Fabienne Plume, teacher and feminist art critic, enthusiastically took up this book which offers a reflection on women who are all the more present in painting when they are absent as creators, supported by presentations and analyzes of works.

“At a time when the great texts that have marked art history are being reissued (Linda Nochlin, Griselda Pollock, Carla Lonzi), in order to enrich current feminist reflection in art history, it was important to add another stone to this edifice: the thought of Françoise d’Eaubonne…. Histoire de l’art et lutte des sexes completes the panorama with a feminist reflection on the making of an already critical art history, a Marxist history of art, which does not include a feminist perspective. Françoised’Eaubonne stands at this crossroads, joining the most recognized art historians of her time with her powerful analyses, nourished by references to multiple fields, supported by a lively tone and solid argumentation.”

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2024 : Mandelsolens Planet (Le satellite de l’Amande)

Copenhague, Danemark, Karsten Editor

This Almond Satellite, particularly dear to my heart, was reissued by Des Femmes – Antoinette Fouque in 2022. The exploration of the small exoplanet, the philosophical questions of the narrator, the light pen of the author, everything had charmed me in this novel so original. It is therefore with great pleasure that we announce its translation into Danish for 2024. (Alain)

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2024: Feminismo o muerte

Verso Libros, 218 pages

Le Féminisme ou la Mort in Spanish is presented as follows:

In this work, originally published in French in 1974, radical feminist Françoise d’Eaubonne analyzes the situation of women around the world and asserts that the feminist struggle is not about equality, but about life and death, for human beings and for the planet. In this vast manifesto, d’Eaubonne for the first time proposes an ecofeminist policy: the patriarchal system acts on women as it acts on nature, destroying everything. Ecofeminism must therefore bring about a new “mutation”, an overthrow not just of male power, but of the power system itself. As Françoise d’Eaubonne herself prophesied, “the planet, put to feminine use, would green up for all”.

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2024 : Le donne prima del patriarcato

Rome, Nova Delphi Libri, prefaced by Vincent d’Eaubonne, october 2024

Back cover:

This text offers a unique perspective on the role of women in history, often downplayed by scholars. Based on an analysis combining archaeological discoveries, anthropology and the study of myths and legends from the ancient world, d’Eaubonne provides us with an astonishing reconstruction of the social weight of women and the struggles that enabled them to play a leading role over the centuries, emphasizing that patriarchy is in no way “natural” or innate: it was imposed only after fierce resistance on the part of the female gender. But the author goes further, pointing out that her political objective is not a society dominated by women, but a non-hegemonic society that sees “the end of patriarchy in all its forms, not just the oppression of women” (Automatic translation).

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