1980 : Histoire de la galanterie – tome IV Au temps des mignons du Roi

Geneva, Famot.

Most certainly collective work, and work with a financial incentive for Françoise. The title refers to the time of Henry III, where the term “mignon” definitely took on the pejorative connotation that we still know it to have. A connotation that did not exist before, this word, minion , meaning “faithful”, “servant”. Thus, the Jesuits were for a time very seriously called the “ministry of Jesus Christ”.

It was the criticisms, both from the Huguenots and from the members of the League, of the escapades and excesses of the formidable swordsmen who surrounded the young king that gave it this derogatory meaning. And insofar as these critics considered them effeminate and suspected them of homosexuality (which, at the time, could land them on the stake if one was not high enough in the hierarchy), it would be interesting to see how Françoise tackled the question of “gallantry”. (Vincent)

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1980: Feminism or Death

Schocken Books, USA

Partial translation by Ynestra King in New French Feminisms: An Anthology of Françoise’s best-known book, Le Féminisme ou la Mort, in which she uses the neologism “ecofeminism” for the first time.

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1980 : Kønskampens historie

Édition Alfehjul, 120 pages.

Danish translation by Merete Aaberg of Les Femmes avant le patriarcat, the title meaning something like L’Histoire de la lutte pour l’égalité des sexes according to DeepL.

By creating ecofeminism, Françoise’s genius was not to bring a new concept: it was to connect us with an immemorial reality, that of the pre-patriarchal cultures of our geographical area, that the rationalism of the 15th century then the humanism of the Enlightenment will have tried to eradicate it in our Western culture, now at the forefront of dehumanization.

Vincent d’Eaubonne, in préface pour l’édition italienne, 2024

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1979 : On vous appelait terroristes

Yverdon, Kesselring, 389 pages.

A book started following the death of Ulrike Meinhof in prison, On vous appelait terroristes offers a partial biography, fictionalized and polyphonic, of the protagonists of the German Red Army Faction. Each chapter focuses on the experience that each of them has (at the death of Katrina, Ulrike Meinhof) about the movement, its creation and the first attacks. It is the fatal spiral of counter-violence that Françoise d’Eaubonne describes. She shows how these young people, militants close to non-violence at the beginning of the novel, gradually come to the conviction that armed violence is the only effective recourse left to them to fight against State crimes.

On vous appelait terroristes em is a denunciatory title: the “urban guerrillas” are not, according to d’Eaubonne, “terrorists”, but militants of “counter-violence”. (Aurore)

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1979 : Moi, Kristine, reine de Suède

Encre, collection Mémoire des Femmes, 273 pages (Reissue, original published under the title Je m’appelle Kristine, 1959).

Marguerite Yourcenar’s monumental work, Les mémoires d’Hadrien, inevitably comes to mind when reading Françoise’s novel. And it is not the transparent clues that she left that will invalidate this observation. One could think of a stylistic imitation, when it is necessary to see there what these two great authors shared: a real knowledge of the Greeks and the Latins.

Knowledge that Françoise puts at the service of her purpose which, always, will have been to say: Women ! Be proud to be! It is thanks to this statement that I will have quite naturally, from my childhood reading, been led to consider that an epic hero could just as well be a heroine.

With Kristine from Sweden, Françoise paints a historical figure that lives up to her intentions. Friend and correspondent of the greatest intellectual and scientific figures of her century, linchpin of the Treaty of Westaphalia, adventurous and combative, diplomat and peacemaker, Queen Kristine was unquestionably one of the most important figures in the Europe of her time. (Vincent)

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