ParThe Editorial Team
Le Vauvert, Au diable vauvert, collection Nouvelles Lunes, preface Taous Merakchi, 109 pages. The sexocide that Françoise d’Eaubonne talks about in this text, the treatment reserved for “witches” during the hunt that was carried out against them, was only a pretext. It was a perfect trick, suited to the era in which these events took place,…
ParThe Editorial Team
Le Paris, Magellan, 260 pages. Co-written with Patrick Nottret. Collection Les grandes énigmes des mondes perdus. Note: Awaiting annotation.
ParThe Editorial Team
Le Paris, L’Esprit Frappeur, 156 pages. In this book, Françoise retraces the masculine obsession, since the destruction of matricentric cultures, with making the feminine disappear. “It is indeed in the Christian West, future creator of the ‘state of law’, that this dream of sexocide by the stake of witches manifested the earliest and most spectacularly. (…)…
ParThe Editorial Team
Le Paris, Vernal/Philippe Lebaud, 234 pages. Collection Mémoires d’autres. Note: Awaiting annotation.
ParThe Editorial Team
Le Paris, Encre, 177 pages. Note: Awaiting annotation.
ParThe Editorial Team
Le Geneva, Famot, 281 pages. Co-written with Gérard Hof. Note: Awaiting annotation.
ParThe Editorial Team
Le Geneva, Famot. Most certainly collective work, and work with a financial incentive for Françoise. The title refers to the time of Henry III, where the term “mignon” definitely took on the pejorative connotation that we still know it to have. A connotation that did not exist before, this word, minion , meaning “faithful”, “servant”. Thus,…
ParThe Editorial Team
Le Geneva, Famot. Preceded by Les Bagages de sables by Anne Langfus. Note: Awaiting annotation.
ParThe Editorial Team
Le Yverdon, Kesselring, 389 pages. A book started following the death of Ulrike Meinhof in prison, On vous appelait terroristes offers a partial biography, fictionalized and polyphonic, of the protagonists of the German Red Army Faction. Each chapter focuses on the experience that each of them has (at the death of Katrina, Ulrike Meinhof) about the…