ParThe Editorial Team
Le Paris, Flammarion, 283 pages. In her preface to Histoire de l’art et lutte des sexes (History of Art and the Battle of the Sexes), Fabienne Dumont highlights the wealth of historical anecdotes that accompany the portraits of Madame Récamier by David and Ingres. There is no doubt that Françoise drew on the documentation she had…
ParThe Editorial Team
Le Original title Balzac que voici, translation by Julia Tardy-Marcus, Bertelsmann Lesering, 1966, 112 pages In her biographical essay, Françoise quotes, among others, Friedrich Engels who, in April 1888, wrote to Margaret Harkness about Balzac that his sympathies belonged “to the class doomed to perish” and that, yet, he had learned more from Balzac “than from…
ParThe Editorial Team
Le Paris, Éditions du Sud and Albin Michel, coll. « Vies et Visages », 112 pages. Note: Awaiting annotation.
ParThe Editorial Team
Le Textes et documents, Paris, Éditions du Sud et A. Michel. Note: Awaiting annotation.
ParThe Editorial Team
Le Variétés, Paris, Éditions du Sud. Note: Awaiting annotation.
ParThe Editorial Team
Le Hachette, coll. le rayon fantastique n°124, 238 pages. “Is Prometheus guilty? Did the inventor of fire, who gave humanity its best defense, precipitate it down the fatal slope of atomic war, then cosmic war?” In a techno-fascist Paris of the third millennium, a young girl dreams too much. And finds herself, in a cataleptic sleep,…
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Le Note: Awaiting annotation.
ParThe Editorial Team
Le Pierre Seghers, coll. Poètes d’aujourd’hui n°120, 190 pages. Note: Awaiting annotation.
ParThe Editorial Team
Le Paris, Julliard, 376 pages. This first volume of his memoirs revisits his childhood, up to 1944. It opens with Green Paradise, in which the Garden plays a key role as God’s finished work on earth. It is “the natural state of a beloved child, well nourished, in immediate contact with nature“. Then, with the move…