1964: La Vie de Chopin

Variétés, Paris, Éditions du Sud.
Note: Awaiting annotation.

Variétés, Paris, Éditions du Sud.
Note: Awaiting annotation.
In 1972, the French television program Aujourd’hui Madame featured Françoise d’Eaubonne. Faced with an opponent who doesn’t understand why the feminist activist doesn’t want women to take power in place of men, Françoise replies succinctly: – All power is bad in anyone’s hands.– Why take it, then?– To destroy it!
Collestion Fa guo dang dai duan pian xiao shuo xuan, 190 pages. The title roughly translates as The Way Back, and Six Others. One might deduce that this is a collective work in which Françoise has a place.
with Paul Ulrich and Pierre Nouaille, Éditions Famot. Note: Awaiting annotation.
During the heyday of La Gueule Ouverte (an environmental and political newspaper founded in 1972), the weekly magazine’s columns featured debates on various topics, such as non-violence and questions about love and sexuality. Françoise often took part in these controversies. In the December 29, 1976 issue, she responded to Isabelle Cabut, then editor-in-chief, by attacking…
Paris, Editions de Magrie, 93 pages. We don’t have more details about this edition at this time. Note: Awaiting annotation.
Encre, collection Mémoire des Femmes, 273 pages (Reissue, original published under the title Je m’appelle Kristine, 1959). Marguerite Yourcenar’s monumental work, Les mémoires d’Hadrien, inevitably comes to mind when reading Françoise’s novel. And it is not the transparent clues that she left that will invalidate this observation. One could think of a stylistic imitation, when…