1959 : I Bari
Editore Lerici, Milan.
Italian translation of Les Tricheurs, Françoise’s novelization of Marcel Carné’s film starring Pascale Petit, Jacques Charrier and Laurent Terzieff.
Editore Lerici, Milan.
Italian translation of Les Tricheurs, Françoise’s novelization of Marcel Carné’s film starring Pascale Petit, Jacques Charrier and Laurent Terzieff.
Paris, Encre, 233 pages. Note: Awaiting annotation.
In this book, Françoise shows not only the poet, but above all the man Rimbaud in all the ups and downs of his life, with his vices, his eruptions of character. Rimbaud’s genius shines through, with his eruptive temperament, his absolute loyalty to himself, his mockery of all bourgeois morality, and his transformation from poet…
Encre, collection Mémoire des Femmes, 273 pages (Reissue, original published under the title Je m’appelle Kristine, 1959). Marguerite Yourcenar’s monumental work, Les mémoires d’Hadrien, inevitably comes to mind when reading Françoise’s novel. And it is not the transparent clues that she left that will invalidate this observation. One could think of a stylistic imitation, when…
Éditions Cino Del Duca, 258 pages. A translation of J’irai cracher sur vos tombes. In 1946, published by Éditions du Scorpion, a book by Vernon Sullivan bearing this title. Deemed scandalous, it was then the subject of a lawsuit brought by a Cartel for social and moral action, which revealed that its real author was…
Paris, Dagorno, 1135 pages. A whole century (or almost)! This voluminous collection brings together the various volumes of Françoise d’Eaubonne’s memoirs already published at different times in her life: Chienne de jeunesse (covering the period from 1930 to 1945), Les Monstres de l’été (from 1945 to 1965), L’Indicateur du réseau (which covers different periods up…
Édition Alfehjul, 120 pages. Danish translation by Merete Aaberg of Les Femmes avant le patriarcat, the title meaning something like L’Histoire de la lutte pour l’égalité des sexes according to DeepL. By creating ecofeminism, Françoise’s genius was not to bring a new concept: it was to connect us with an immemorial reality, that of the…