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Le Chapter with unknown title in MICHAL, Bernard (éd.), Françoise D’EAUBONNE, Jean DELAMOTTE et Pierre GUILLEMOT. Les Grands Conquérants ; Alexandre le Grand, Justinien de Byzance, Gengis Khan. Éditions de Crémille, 254 pages. Note: Awaiting annotation.
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Le Journal of FHAR, the Front Homosexuel d’Action Révolutionnaire, which Françoise co-founded. Several authors. Note: Awaiting annotation.
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Le Paris, Alain Moreau, 400 pages. This book is a very dense essay on the history of feminism, from Antiquity to the beginnings of the American and French Women’s Liberation Movements. Françoise d’Eaubonne analyzes these “primordial historical facts” which are “phallocratism, sexism, then feminism”. Based on a very wide variety of references (psychoanalytical, anthropological, historical, literary,…
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Le Under the pseudonym Nadine de Longueval. This novel is really very close thematically and psychologically to The Yellow Wallpaper in several aspects. The book’s protagonist, Judith, who writes the notebook found by her daughter in the opening chapters, is used by men to suit them, and loses all agency when she marries a man who…
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Le Paris, André Balland, 323 pages. In this seminal work, Françoise d’Eaubonne affirms that homosexuality, this “minority Eros,” as she describes it, has existed at all times and in all latitudes. Like heterosexuality, it is one of the two main branches of Eros. How is it then that it was blamed for perversion, disease, abnormality, even…
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Le Paris, André Balland, 230 pages. Note: Awaiting annotation.
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Le Paris, Flammarion, 331 pages. Note: Awaiting annotation. reissued under: – Vie d’Isabelle Eberhardt. J’ai Lu, 1968. – Isabelle Eberhardt. Paris, J’ai Lu, 1992, 409 pages.
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Le Paris, Julliard, 464 pages. The second part of Françoise’s “early memoirs” begins with these words: “East Berlin, March 12, 1965 (my birthday). – My guide absolutely wants to offer to name a street in East Berlin after me. I did not deserve “this excess of honor”; if I accept it, it is because for most…
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Le Paris, Flammarion, 283 pages. In her preface to Histoire de l’art et lutte des sexes (History of Art and the Battle of the Sexes), Fabienne Dumont highlights the wealth of historical anecdotes that accompany the portraits of Madame Récamier by David and Ingres. There is no doubt that Françoise drew on the documentation she had…