{"id":1290890,"date":"1966-05-04T09:20:59","date_gmt":"1966-05-04T08:20:59","guid":{"rendered":"https:\/\/www.francoise-d-eaubonne.org\/1966-une-femme-temoin-de-son-siecle-germaine-de-stael\/"},"modified":"2026-02-03T17:10:45","modified_gmt":"2026-02-03T16:10:45","slug":"1966-une-femme-temoin-de-son-siecle-germaine-de-stael","status":"publish","type":"post","link":"https:\/\/www.francoise-d-eaubonne.org\/it\/1966-une-femme-temoin-de-son-siecle-germaine-de-stael\/","title":{"rendered":"1966 : Une femme t\u00e9moin de son si\u00e8cle \u2013 Germaine de Sta\u00ebl"},"content":{"rendered":"

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\"\"<\/p>\n

Parigi, Flammarion, 283 pagine.<\/strong><\/p>\n

Nella prefazione a Histoire de l’art et lutte des sexes,<\/a><\/em> Fabienne Dumont sottolinea la ricchezza degli aneddoti storici che accompagnano i ritratti di Madame R\u00e9camier realizzati da David e Ingres. Non c’\u00e8 dubbio che Fran\u00e7oise si sia basata sulla documentazione raccolta nel decennio precedente per la sua Germaine de Sta\u00ebl.<\/em> <\/p>\n

La vicinanza, se non addirittura la familiarit\u00e0, di Fran\u00e7oise con i personaggi e l’epoca \u00e8 sorprendente e d\u00e0 l’impressione che lei non sia una storica e una biografa, ma piuttosto una contemporanea e una vicina di casa.<\/p>\n

Perch\u00e9 non aveva dimenticato l’accoglienza riservata da Napoleone ad alcune delle sue prozie. Portandogli documenti importanti dall’Ile de France, da dove erano state costrette ad esiliarsi, poich\u00e9 diventata Mauritius dopo la conquista inglese, avevano chiesto uno scambio, un sussidio per creare una scuola femminile. Ci\u00f2 non piacque affatto al despota che, professando che \u00abla donna appartiene all’uomo come l’albero da frutto appartiene al giardiniere\u00bb, considerava quindi perniciosa qualsiasi istruzione femminile che potesse distogliere dal ruolo assegnato, rifiutando la richiesta. <\/p>\n

\u00c8 con uno stile rumoroso e furioso, proprio come la vita di Germaine de Sta\u00ebl, che Fran\u00e7oise ci racconta il suo destino. La figlia di Necker, la pi\u00f9 grande scrittrice dell’inizio del XIX secolo, che l’Imperatore detestava, non si \u00e8 mai piegata davanti a lui, pagandone il prezzo. Il ritratto \u00e8 ricco, sfumato e sapiente, senza mai cadere nell’agiografia, ma restituendole il suo posto nella letteratura e nella politica, proprio come fece per Cristina di Svezia: una delle prime, poich\u00e9 salv\u00f2 Talleyrand (che si affrett\u00f2 a tradirla), ottenne concessioni dall’inflessibile Fouch\u00e9 e ebbe l’attenzione dei pi\u00f9 grandi principi europei, producendo un’opera che stupir\u00e0 per la sua intelligenza Hugo, Chateaubriant e tanti altri. <\/p>\n

Ecco perch\u00e9 il titolo non mi sembra del tutto appropriato: pi\u00f9 che testimone del suo secolo, ne fu un’attrice di primo piano, arrivando persino a ispirare una coalizione antinapoleonica degli Stati del Nord Europa. E il Corso non si era sbagliato: facendola sorvegliare giorno e notte, era in grado di recitare il suo programma mentre combatteva le sue battaglie dall’altra parte dell’Europa. <\/p>\n

Rimane un ultimo interrogativo: perch\u00e9 questo genio politico e filosofico non \u00e8 stato inserito nel programma dei miei studi, ingombro di tante penne di ben minore importanza?<\/p>\n

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Parigi, Flammarion, 283 pagine. Nella prefazione a Histoire de l’art et lutte des sexes, Fabienne Dumont sottolinea la ricchezza degli aneddoti storici che accompagnano i ritratti di Madame R\u00e9camier realizzati da David e Ingres. Non c’\u00e8 dubbio che Fran\u00e7oise si sia basata sulla documentazione raccolta nel decennio precedente per la sua Germaine de Sta\u00ebl. La […]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[349,467,373],"tags":[],"class_list":["post-1290890","post","type-post","status-publish","format-standard","hentry","category-1962-1973-it","category-bibliographies-it","category-biografie"],"yoast_head":"\n1966 : Une femme t\u00e9moin de son si\u00e8cle \u2013 Germaine de Sta\u00ebl<\/title>\n<meta name=\"description\" content=\"Una scrittura fatta di rumori e furori per una vita che lo fu altrettanto, rimettendo al suo posto, fondamentale, questo genio letterario e politico.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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