{"id":3106296,"date":"2025-09-05T08:40:07","date_gmt":"2025-09-05T06:40:07","guid":{"rendered":"https:\/\/www.francoise-d-eaubonne.org\/histoire-de-lart-et-lutte-des-sexes\/"},"modified":"2026-05-15T10:17:20","modified_gmt":"2026-05-15T08:17:20","slug":"histoire-de-lart-et-lutte-des-sexes","status":"publish","type":"post","link":"https:\/\/www.francoise-d-eaubonne.org\/en\/histoire-de-lart-et-lutte-des-sexes\/","title":{"rendered":"Histoire de l&#8217;art et lutte des sexes"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;RGBA(255,255,255,0)&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; da_disable_devices=&#8221;off|off|off&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; da_is_popup=&#8221;off&#8221; da_exit_intent=&#8221;off&#8221; da_has_close=&#8221;on&#8221; da_alt_close=&#8221;off&#8221; da_dark_close=&#8221;off&#8221; da_not_modal=&#8221;on&#8221; da_is_singular=&#8221;off&#8221; da_with_loader=&#8221;off&#8221; da_has_shadow=&#8221;on&#8221;][et_pb_row admin_label=&#8221;row&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text admin_label=&#8221;Text&#8221; _builder_version=&#8221;4.27.4&#8243; quote_font=&#8221;||||||||&#8221; background_color=&#8221;RGBA(255,255,255,0)&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_padding=&#8221;||0px|||&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.francoise-d-eaubonne.org\/en\/histoire-de-lart-et-lutte-des-sexes-2\/\" target=\"_blank\" rel=\"noopener\">Announced <\/a>as a publishing project in 2022, <em>Histoire de l&#8217;art et lutte des sexes<\/em> (Art History and the Battle of the Sexes) <a href=\"https:\/\/www.lespressesdureel.com\/ouvrage.php?id=12178&amp;menu=0\" target=\"_blank\" rel=\"noopener\">has been published.<\/a> In the meantime, it has undergone considerable critical analysis and significant iconographic enrichment. Les Presses du R\u00e9el, which specializes in art books, has turned it into a beautiful object with high-quality pictorial representations.  <\/p>\n<p style=\"text-align: justify;\">If the essayist who coined the neologism ecofeminism <span class=\"fontstyle0\">is now regularly cited, large parts of her work remain in the shadows, including her reflections on painting and its role in society. Thanks to <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fabienne_Dumont\" target=\"_blank\" rel=\"noopener\">Fabienne Dumont<\/a>, art historian, author and\/or editor of seven books, numerous articles and exhibition catalogs, art critic, and professor of contemporary art history at the university, this gap has been filled. <\/span><\/p>\n<p style=\"text-align: justify;\"><span class=\"fontstyle0\">Because she is convinced that the paint analyses carried out by Fran\u00e7oise 50 years ago are as serious as they are original. Fabienne confirms how visionary she was, once again: &#8221; <\/span><span class=\"fontstyle2\"><em>This book is groundbreaking&#8221;<\/em> <\/span><span class=\"fontstyle0\">(in her day), she says, in that it shows how women&#8217;s bodies are all the more represented in works of art because women are erased as creators. A pioneer, therefore, but ignored and even erased until very recently, this &#8221; <\/span>a &#8220;milestone&#8221; in the history of feminist art that &#8220;has no equivalent&#8221; in France.<\/p>\n<p style=\"text-align: justify;\"><span class=\"fontstyle0\"> Fran\u00e7oise&#8217;s early interest in the arts emerged from the fertile ground of a family where artistic vocations left their mark, such as the paintings of Lucien d&#8217;Eaubonne and the work of set designer Jean d&#8217;Eaubonne, who collaborated with a host of famous filmmakers. Fran\u00e7oise, for her part, made painting her secret garden, so secret that very few people can claim to have had access to it during her lifetime. Using pencils, watercolors, gouaches, and felt-tip pens, on scraps of paper as well as on high-quality media, she produced probably <a href=\"https:\/\/www.francoise-d-eaubonne.org\/en\/traces-of-francoise\/paintings\/\" target=\"_blank\" rel=\"noopener\">hundreds of small works.<\/a>  <br \/><\/span><span class=\"fontstyle0\"><\/span><\/p>\n<p style=\"text-align: justify;\"><span class=\"fontstyle0\"><em> Histoire de l&#8217;art et lutte des sexes<\/em> <span class=\"fontstyle2\">marks a turning point in her literary output. The style foreshadows the great mastery she would demonstrate, particularly in  <\/span><em><a href=\"https:\/\/www.francoise-d-eaubonne.org\/en\/1997-la-liseuse-et-la-lyre\/\" target=\"_blank\" rel=\"noopener\">La Liseuse et la Lyre<\/a><\/em> and<span class=\"fontstyle2\"> <\/span>L<em><a href=\"https:\/\/www.francoise-d-eaubonne.org\/2017-note-de-lecture-de-levangile-de-veronique-par-hypathie\/\" target=\"_blank\" rel=\"noopener\">\u2019\u00c9vangile selon V\u00e9ronique<\/a><\/em>, <span class=\"fontstyle2\">her penultimate novel published in 2003.<\/span><br \/><\/span><\/p>\n<p style=\"text-align: justify;\"><span class=\"fontstyle0\"><span class=\"fontstyle2\"> Fran\u00e7oise&#8217;s seventieth work strikes a chord with our times. Under neoliberalism, in the name of &#8220;the crisis,&#8221; the brief period when institutional culture was a space for reinvention has given way to &#8220;profitable&#8221; art, which is therefore required to be commodified. Major public museums are being swallowed up by specialists in cultural market analysis, and everyone is working hard on their &#8220;segment,&#8221; relegating works of art to the role of interchangeable supports for promoting the luxury industry, or as a showcase for the great families of finance and arms manufacturing, who see their patronage as a way to restore their tarnished image.   <\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span class=\"fontstyle0\"><span class=\"fontstyle2\"><a href=\"https:\/\/www.grasset.fr\/livre\/un-appartement-sur-uranus-9782246820666\/\" target=\"_blank\" rel=\"noopener\">As Paul B. Preciado so aptly puts it<\/a>, in these &#8220;<em>necromuseums, archives of our global destruction,<\/em>&#8221; exchange value and the rewriting of history have devoured the work. Fran\u00e7oise, for her part, would have preferred &#8220;<em>public ruin to private profitability<\/em>&#8221; and would have invited people to occupy these ruins in order to &#8220;<em>erect barricades of meaning<\/em>,&#8221; because, as she wrote, &#8220;<em>Every struggle that goes to its logical conclusion encounters others.&#8221;<\/p>\n<p>*** Translated with www.DeepL.com\/Translator ***<\/em><br \/><\/span><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Announced as a publishing project in 2022, Histoire de l&#8217;art et lutte des sexes (Art History and the Battle of the Sexes) has been published. In the meantime, it has undergone considerable critical analysis and significant iconographic enrichment. Les Presses du R\u00e9el, which specializes in art books, has turned it into a beautiful object with [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2225363,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[235],"tags":[],"class_list":["post-3106296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editions-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Histoire de l&#039;art et lutte des sexes<\/title>\n<meta name=\"description\" content=\"Fran\u00e7oise d&#039;Eaubonne L&#039;analyse de Fran\u00e7oise d&#039;Eaubonne sur la place des femmes dans la peinture et dans son histoire\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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