{"id":884272,"date":"2023-02-13T17:22:07","date_gmt":"2023-02-13T16:22:07","guid":{"rendered":"https:\/\/www.francoise-d-eaubonne.org\/?page_id=884272"},"modified":"2026-01-07T14:02:13","modified_gmt":"2026-01-07T13:02:13","slug":"biography","status":"publish","type":"page","link":"https:\/\/www.francoise-d-eaubonne.org\/en\/traces-of-francoise\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"

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Fran\u00e7oise’s biography<\/h1>\n

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1920-2005 in twenty-three stages<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” module_alignment=”center” custom_margin=”||10px||false|false” custom_padding=”40px||10px||false|false” border_radii=”off|30px|30px||” box_shadow_style=”preset3″ box_shadow_vertical=”-19px” global_colors_info=”{}”][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” width=”100%” module_alignment=”center” custom_margin=”||||true|false” custom_padding=”10px||10px|40px|true|false” custom_padding_tablet=”10px|15px|10px|15px|true|true” custom_padding_phone=”” custom_padding_last_edited=”on|tablet” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|phone” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

March 12, 1920<\/h4>\n

Birth of Fran\u00e7oise Marie-Th\u00e9r\u00e8se Piston d’Eaubonne in Paris, third of the five children of \u00c9tienne and Rosita Mariquita (n\u00e9e Martinez Franco) Piston d’Eaubonne. On her mother’s side: of Castilian origins, her maternal grandfather was a Carlist refugee, thus a royalist who was rather conservative. On her father’s side: a very old French family whose first attested origins date back to 1082. <\/p>\n

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Years 1920-1935<\/span><\/h4>\n

From the age of 10, a childhood in Toulouse, where she and her family experience constant financial stress. In 1916, her father returns from World War I, a gassing survivor who fought in the trenches. In fragile health, he struggles to support his family. To raise their 5 children, her mother gives up a career as a mathematician. Fran\u00e7oise becomes the winner of the Deno\u00ebl short story competition for children under 13. Although the contest only requires 200 lines, she sends the 225-page work Mireille, Fille des montagnes<\/em>. Colette notices her and encourages her.<\/p>\n

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1940<\/h4>\n

Fran\u00e7oise obtains her baccalaureate in 1938. She enrolls in Law and Fine Arts, studies that she quickly abandons for a teaching position at the P\u00e9guillhan school run by her mother. Activities in the Resistance. Writing of the first part of the poems of Colonnes de l’\u00e2mes,<\/em> which appears in 1942 with a preface by Jo\u00eb Bousquet. The publisher, Jacques Aubenque, becomes her lover. <\/p>\n

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<\/h4>\n

1944<\/h4>\n

Julliard publishes her first novel Le C\u0153ur de Watteau;<\/em> it will be followed by several others, including Comme un vol de gerfauts,<\/em>a bestseller and winner of the Readers’ Award in 1947. Fran\u00e7oise will publish with Julliard until 1966, contributing to the growth of this publisher for which she also works as a reader. Birth of her daughter Indiana after a whirlwind marriage to Jacques Aubenque, who she leaves after departing from the town hall four months pregnant. In 1946, she returns to the Communist Party. <\/p>\n

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1949<\/h4>\n

Simone de Beauvoir publishes The Second Sex.<\/em> Fran\u00e7oise writes to her: <\/em><\/p>\n

– You are a genius! … We are all avenged!<\/em><\/p>\n

After a first meeting, they lose sight of each other and will meet again four years later. They will remain friends until the death of Simone de Beauvoir in 1986. <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||||false|false” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/2eme-sexe.jpg” title_text=”The Second Sex” align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|on|off” _builder_version=”4.20.2″ _module_preset=”default” width=”45%” max_width=”44%” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” custom_margin=”-10px||-10px||true|false” custom_padding=”2px||2px||true|false” custom_padding_tablet=”” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/Complexe-de-Diane-Le.jpg” title_text=”Complexe de Diane (Le)” align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|on|off” _builder_version=”4.16″ _module_preset=”default” height_tablet=”” height_phone=”” height_last_edited=”on|desktop” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” custom_margin=”||||true|true” custom_margin_tablet=”||||true|false” custom_margin_phone=”|||10px|true|false” custom_margin_last_edited=”on|tablet” custom_padding=”|40px|10px||false|false” custom_padding_tablet=”|15px|10px|15px|false|true” custom_padding_phone=”|15px|10px|15px|false|true” custom_padding_last_edited=”on|tablet” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|desktop” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

<\/h4>\n

1951<\/h4>\n

Julliard publishes her first feminist essay, Le Complexe de Diane,<\/em> in defense of de Beauvoir’s book. Renowned novelist, Fran\u00e7oise throws herself into battle as she did some time before in the arena at the Biarritz fair. As noted by \u00c9lise Thi\u00e9baut in her excellent preface to the reissue of the work by Julliard in October 2021, in this work she creates a dazzling and often visionary analysis of the themes that she will focus on throughout her life: patriarchy, Eros, gender and feminism.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” module_alignment=”center” custom_margin=”10px||10px||false|false” custom_padding=”22px||22px||false|false” custom_padding_tablet=”0px||22px||false|false” custom_padding_phone=”0px||22px||false|false” global_colors_info=”{}”][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” width=”100%” module_alignment=”center” custom_margin=”||||true|false” custom_padding=”10px||10px|40px|true|false” custom_padding_tablet=”10px|15px|10px|15px|true|true” custom_padding_phone=”” custom_padding_last_edited=”on|phone” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|phone” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

1956<\/h4>\n

Fran\u00e7oise leaves the Communist Party because she does not find it anti-colonialist enough (due to their stance on the Algerian war). She publishes La vie passionn\u00e9e d\u2019Arthur Rimbaud<\/em> that year, a work preceded by eight other publications since 1951. <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||||false|false” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/1955-environ.jpg” title_text=”Around 1955″ align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”off|off|off” _builder_version=”4.20.2″ _module_preset=”default” width=”85%” width_tablet=”” width_phone=”” width_last_edited=”on|tablet” max_width=”92%” max_width_tablet=”54%” max_width_phone=”” max_width_last_edited=”on|tablet” border_radii=”on|20px|20px|20px|20px” border_width_all=”1px” border_color_all=”#E09900″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” custom_margin=”-10px||-10px||true|false” custom_padding=”0px||10px||false|false” custom_padding_tablet=”2px||2px||true|false” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/\/1960-avec-Francoise-et-Gerome-202×300.jpg” title_text=”1960 with Fran\u00e7oise and G\u00e9r\u00f4me” align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|on|off” _builder_version=”4.20.2″ _module_preset=”default” width=”47%” max_width=”100%” filter_brightness=”128%” border_radii=”on|20px|20px|20px|20px” border_width_all=”1px” border_color_all=”#E09900″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” custom_margin=”||||true|true” custom_padding=”10px|40px|10px|10px|true|false” custom_padding_tablet=”10px|15px|10px|15px|true|true” custom_padding_phone=”10px|15px|10px|15px|true|true” custom_padding_last_edited=”on|tablet” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|desktop” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

<\/h4>\n

1958<\/h4>\n

Publication of Fort des femmes<\/em> and Chevrette et Virginie<\/em>, (Biblioth\u00e8que Verte), two novels which, like Indomptable Murcie,<\/em>are released in 1949, in a long series of novels about heroines. Birth of her son Vincent, father unknown. <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” max_width=”1081px” max_width_tablet=”1081px” max_width_phone=”1081px” max_width_last_edited=”on|tablet” module_alignment=”center” min_height=”227.8px” min_height_tablet=”” min_height_phone=”227.8px” min_height_last_edited=”on|tablet” custom_margin=”10px||10px||false|false” custom_padding=”10px||0px||false|false” custom_padding_tablet=”2px||2px||true|false” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” width=”100%” module_alignment=”center” custom_margin=”||||true|false” custom_padding=”10px||10px|40px|true|false” custom_padding_tablet=”10px|15px|10px|15px|true|true” custom_padding_phone=”” custom_padding_last_edited=”on|phone” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|phone” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

1960<\/h4>\n

Signing of the manifesto of the 121 for the right to insubordination in the Algerian war. That same year, Fran\u00e7oise publishes three books: La Vie passionn\u00e9e de Verlaine<\/em>, Verlaine et Rimbaud ou la fausse \u00e9vasion<\/em> and Le Temps d’apprendre \u00e0 vivre<\/em>. <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||||false|false” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/manifeste121.jpg” title_text=”Manifesto of the 121″ align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|on|off” _builder_version=”4.16″ _module_preset=”default” width=”48%” max_width=”84%” box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” custom_margin=”-10px||-10px||true|false” custom_padding=”0px||0px||true|false” custom_padding_tablet=”2px||2px||true|false” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/1966-au-Drugstore-de-St-Germain-des-Pres.jpg” title_text=”1966 at the Drugstore in St-Germain-des-Pr\u00e9s” align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|on|off” _builder_version=”4.20.2″ _module_preset=”default” width=”47%” max_width=”100%” custom_padding=”||||false|false” filter_brightness=”162%” border_radii=”on|20px|20px|20px|20px” border_width_all=”1px” border_color_all=”#b77a00″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” custom_margin=”||||true|true” custom_padding=”10px|40px|10px|10px|true|false” custom_padding_tablet=”10px|15px|10px|15px|true|true” custom_padding_phone=”10px|15px|10px|15px|true|true” custom_padding_last_edited=”on|tablet” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|desktop” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

1964<\/h4>\n

Publication of the first volume of her memoirs, Chienne de Jeunesse<\/em> (Julliard not having accepted its original title Putain de jeunesse<\/em> ). The second volume, Les Monstres de l’\u00e9t\u00e9,<\/em> which recounts her painful love affairs, travels and political commitments over the period 1950-60, will be published in 1966. These two volumes will be brought together, with two other memoirs, in her autobiography published by Dagorno in 2000. Since 1960, she has published no less than sixteen books: sci fi novels, biographies, children’s books… <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” module_alignment=”center” min_height=”227.8px” custom_margin=”10px||10px||false|false” custom_padding=”||||true|false” global_colors_info=”{}”][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.0″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” width=”100%” module_alignment=”center” custom_margin=”||||true|false” custom_padding=”10px||10px|40px|true|false” custom_padding_tablet=”0px|15px|0px|15px|true|true” custom_padding_phone=”” custom_padding_last_edited=”on|phone” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|phone” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

1970<\/h4>\n

In 1968, Fran\u00e7oise takes part in the occupation of the Od\u00e9on theater (Paris), and we see her on the barricades. She writes Eros minoritaire<\/em>,a work devoted to the history of homosexuality During the previous 6 years, she has published less – only six books – including La Couronne de sable, vie d’Isabelle Eberhardt<\/em> . <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||||false|false” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/1972.jpg” title_text=”1972″ align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”off|off|off” _builder_version=”4.21.0″ _module_preset=”default” width=”74%” width_tablet=”75%” width_phone=”75%” width_last_edited=”on|tablet” max_width=”84%” max_width_tablet=”84%” max_width_phone=”84%” max_width_last_edited=”on|desktop” custom_margin_tablet=”20px||||false|false” custom_margin_phone=”20px||||false|false” custom_margin_last_edited=”on|tablet” filter_brightness=”114%” filter_contrast=”84%” border_radii=”on|20px|20px|20px|20px” border_width_all=”1px” border_color_all=”#E09900″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” custom_margin=”-10px||-10px||true|false” custom_padding=”0px||0px||false|false” custom_padding_tablet=”2px||2px||true|false” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/1971.jpg” title_text=”1971″ align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|on|off” _builder_version=”4.20.2″ _module_preset=”default” width=”86%” max_width=”100%” filter_contrast=”122%” border_radii=”on|20px|20px|20px|20px” border_width_all=”1px” border_color_all=”#E09900″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.0″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” custom_margin=”||||true|true” custom_padding=”|40px|10px|10px|false|false” custom_padding_tablet=”|15px|10px|15px|false|true” custom_padding_phone=”|15px|10px|15px|false|true” custom_padding_last_edited=”on|tablet” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|desktop” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

<\/h4>\n

1971<\/h4>\n

Signature of the manifesto of the 343 for the right to abortion. Co-foundation of the Homosexual Revolutionary Action Front (FHAR). No books published; Fran\u00e7oise devotes herself almost entirely to her fights. <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” module_alignment=”center” min_height=”227.8px” custom_margin=”10px||10px||false|false” custom_padding=”10px||10px||true|false” custom_padding_tablet=”2px||2px||true|false” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” width=”100%” module_alignment=”center” custom_margin=”||||true|false” custom_padding=”10px||10px|40px|true|false” custom_padding_tablet=”10px|15px|10px|15px|true|true” custom_padding_phone=”” custom_padding_last_edited=”on|phone” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|phone” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

1974<\/h4>\n

Fran\u00e7oise forges the concept she calls “ecofeminism” in her major essay Le F\u00e9minisme ou la Mort<\/em> , giving the nod to the book L’Utopia ou la Mort<\/em> by Ren\u00e9 Dumont (first ecologist candidate, whom she supported in the presidential election that year). Creation of the Feminist Front, which will become the Ecology Feminism Center. She meets Alain Lezongar (20 years old), who will accompany her until the end and whom she will want to adopt. <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||||false|false” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/Feminisme-ou-la-mort-Le-1.jpg” title_text=”F\u00e9minisme ou la mort (Le) 1″ align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|on|off” _builder_version=”4.16″ _module_preset=”default” max_height=”120%” custom_margin=”20px||||false|false” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” custom_margin=”-10px||-10px||true|false” custom_padding=”20px||20px||true|false” custom_padding_tablet=”2px||2px||true|false” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/1981-Revue-Masques.jpg” title_text=”1981 the review Masques” align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|on|off” _builder_version=”4.20.2″ _module_preset=”default” width=”61%” max_width=”100%” filter_brightness=”92%” filter_contrast=”131%” border_radii=”on|20px|20px|20px|20px” border_width_all=”1px” border_color_all=”#E09900″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” custom_margin=”||||true|true” custom_padding=”10px|40px|10px|10px|true|false” custom_padding_tablet=”10px|15px|10px|15px|true|true” custom_padding_phone=”10px|15px|10px|15px|true|true” custom_padding_last_edited=”on|tablet” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|desktop” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

1976<\/h4>\n

Practicing the militant words she preaches, Fran\u00e7oise marries, within the framework of her anti-carceral activism, the prisoner Pierre Sanna at the prison of Fresnes to protest against his prison sentence for murder. On d\u00e9couvrira plus de 40 ans plus tard qu\u2019elle avait revendiqu\u00e9 dans ses \u00e9crits intimes avoir particip\u00e9 en 1975 au plasticage de la centrale nucl\u00e9aire de Fessenheim, alors en construction. <\/span><\/p>\n

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1977<\/h4>\n

Publication of the essay Les Femmes avant le patriarcat;<\/em> in this work, Fran\u00e7oise surveys the research of the time about the place of women in the evolution of the species and proposes a hypothesis concerning the date and mechanisms involved in the establishment of patriarchy.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||||false|false” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/Femmes-avant-le-patriarcat-Les.jpg” title_text=”Femmes avant le patriarcat (Les)” align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|on|off” _builder_version=”4.16″ _module_preset=”default” max_height=”120%” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” custom_margin=”-10px||-10px||true|false” custom_padding=”0px||0px||true|false” custom_padding_tablet=”2px||2px||true|false” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/1978-06-21.jpg” title_text=”1978 06 21″ align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”off|off|off” _builder_version=”4.21.0″ _module_preset=”default” width=”52%” width_tablet=”63%” width_phone=”67%” width_last_edited=”on|phone” max_width=”100%” custom_margin=”8%||||false|false” custom_margin_tablet=”1px||10px||false|false” custom_margin_phone=”1px||10px||false|false” custom_margin_last_edited=”on|tablet” filter_contrast=”115%” border_radii=”on|20px|20px|20px|20px” border_width_all=”1px” border_color_all=”#E09900″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” custom_margin=”||||true|true” custom_padding=”10px|40px|10px|10px|true|false” custom_padding_tablet=”10px|15px|10px|15px|true|true” custom_padding_phone=”10px|15px|10px|15px|true|true” custom_padding_last_edited=”on|tablet” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|desktop” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

1978<\/h4>\n

A prosperous literary year, Fran\u00e7oise publishes 5 titles including Ecology\/feminism, r\u00e9volution ou mutation?<\/em> , Les berg\u00e8res de l’Apocalypse<\/em> and Contre-violence ou la r\u00e9sistance \u00e0 l\u2019Etat<\/em> . But also L’indicateur du r\u00e9seau<\/em> , an autobiography built not on a chronology, but according to geographical places. This innovative form will be the subject of a thesis in Australia. <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” module_alignment=”center” min_height=”195.8px” min_height_tablet=”” min_height_phone=”195.8px” min_height_last_edited=”on|tablet” custom_margin=”10px||10px||false|false” custom_padding=”10px||10px||true|false” custom_padding_tablet=”2px||2px||true|false” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” width=”100%” module_alignment=”center” custom_margin=”||||true|false” custom_padding=”10px||10px|40px|true|false” custom_padding_tablet=”10px|15px|10px|15px|true|true” custom_padding_phone=”” custom_padding_last_edited=”on|phone” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|phone” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

1983<\/h4>\n

Fran\u00e7oise gets involved in the adventure of the so-called “free” radio stations. Until the end of the 1980s, she hosts literary and political programs on several Parisian stations and mainly on Radio Mouvance, “anti-racist, anti-imperialist and anti-Zionist”, created by Roland Fornari. <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||||false|false” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/1987-Photo-Guy-Vivien-2.jpg” title_text=”1987 Photo Guy Vivien – 2″ align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|off|off” _builder_version=”4.20.2″ _module_preset=”default” width=”84%” max_width=”100%” custom_padding=”15px||||false|false” filter_saturate=”43%” filter_brightness=”94%” filter_contrast=”123%” filter_invert=”3%” filter_sepia=”1%” border_radii=”on|20px|20px|20px|20px” border_width_all=”1px” border_color_all=”#E09900″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” custom_margin=”-10px||-10px||true|false” custom_padding=”0px||0px||true|false” custom_padding_tablet=”2px||2px||true|false” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/Une-femme-nommee-Castor-1.jpg” title_text=”Une femme nomm\u00e9e Castor 1″ align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|on|off” _builder_version=”4.16″ _module_preset=”default” width=”53%” max_width=”100%” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” custom_margin=”||||true|true” custom_padding=”|40px||10px|false|false” custom_padding_tablet=”|15px||15px|false|true” custom_padding_phone=”|15px||15px|false|true” custom_padding_last_edited=”on|tablet” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|desktop” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

<\/h4>\n

1986<\/h4>\n

The death of her friend Simone de Beauvoir inspires Une femme nomm\u00e9e Castor<\/em> , which appears in November. In 1984 and 85, she publishes the two volumes of Les Les obs\u00e8ques de Jean-Paul Sartre,<\/em> among six other works, including L’Amazone sombre<\/em> and Louise-Michel la Canaque<\/em> . <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” module_alignment=”center” min_height=”195.8px” custom_margin=”10px||10px||false|false” custom_padding=”10px||10px||true|false” custom_padding_tablet=”2px||2px||true|false” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” width=”100%” module_alignment=”center” custom_margin=”||||true|false” custom_padding=”10px||10px|40px|true|false” custom_padding_tablet=”10px|15px|10px|15px|true|true” custom_padding_phone=”” custom_padding_last_edited=”on|phone” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|phone” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

1990<\/h4>\n

Following the disappearance of Pastor Douc\u00e9, Fran\u00e7oise sets up a Committee to establish the truth. Three months later, we find the pastor murdered in the forest of Rambouillet. She publishes Le Scandale d’une disparition – Vie et Oeuvre du Pastor Douc\u00e9<\/i> . But publishing is no longer so easy for her, and her writing takes a meditative and sometimes dark turn. <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||||false|false” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/Scandale-dune-disparition-Le.jpg” title_text=”Scandale d'une disparition (Le)” align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|off|off” _builder_version=”4.16″ _module_preset=”default” width=”84%” max_width=”100%” custom_margin=”10px||||false|false” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” custom_margin=”-10px||-10px||true|false” custom_padding=”0px||0px||true|false” custom_padding_tablet=”2px||2px||true|false” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/Toutes-les-sirenes-sont-mortes.jpg” title_text=”Toutes les sir\u00e8nes sont mortes” align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|on|off” _builder_version=”4.16″ _module_preset=”default” width=”53%” max_width=”100%” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” custom_margin=”||||true|true” custom_padding=”|40px||10px|false|false” custom_padding_tablet=”|15px||15px|false|true” custom_padding_phone=”|15px||15px|false|true” custom_padding_last_edited=”on|tablet” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|desktop” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

1992<\/h4>\n

Publication of Toutes les sir\u00e8nes sont mortes<\/i> . This novel, which she particularly likes, is well received. What part of herself is in the character of the writer – will we ever know one day? <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(219,219,219,0.91)” width=”89.5%” width_tablet=”90%” width_phone=”” width_last_edited=”on|desktop” module_alignment=”center” custom_margin=”10px||10px||false|false” custom_margin_tablet=”10px||0px||false|false” custom_margin_phone=”10px||0px||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”10px||10px||true|false” custom_padding_tablet=”2px||2px||true|false” custom_padding_phone=”” module_alignment_tablet=”center” module_alignment_phone=”center” module_alignment_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Special Elite|600|||||||” text_font_size=”20px” header_4_font=”Permanent Marker||||||||” header_4_font_size=”22px” header_4_letter_spacing=”4px” background_enable_color=”off” width=”100%” module_alignment=”center” custom_margin=”||||true|false” custom_padding=”10px||10px|40px|true|false” custom_padding_tablet=”10px|15px|10px|15px|true|true” custom_padding_phone=”” custom_padding_last_edited=”on|phone” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|phone” header_4_font_size_tablet=”20px” header_4_font_size_phone=”18px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

1997<\/h4>\n

At a low point, Fran\u00e7oise takes a step back which will lead her to publish F\u00e9minin et Philosophie, une allergie historique<\/em> , as well as La Liseuse et la lyre<\/em> that year, a magnificent meditation on what has made up a large part of her life: writing and reading.<\/p>\n

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The 2000s<\/h4>\n

Fran\u00e7oise publishes Le Sexocide des Sorci\u00e8res<\/em> in 1999, arguing that these unfair trials were only a fallacious pretext to submit and condemn not just the Witch but Woman. In 2002, she wonders about our future in L’homme de demain a-t-il un future? Combien de temps durera le XXIeme siecle? <\/em>In 2003, it will be L’Evangile de V\u00e9ronique,<\/em> the “bleeding woman” who confronts the Fathers of the Church. In a last public outcry against the detested patriarchy. <\/em><\/p>\n

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August 3, 2005<\/h4>\n

Having only put down her pen a few days before, the one whose motto was “Not a day without a line” dies in her apartment for needy artists on the rue du Montparnasse in Paris. She bequeathed to us more than 100 books, 3 new words for our language and a dazzling thought of an acuity today welcomed after a long period of oblivion. Suspecting she would be recognized after her death, she confided to us shortly before her departure that she had had a “somewhat failed, but joyful” life and that she was not sorry to leave this world in view of what was to come, while regretting leaving it to us in such a state. <\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/\/2002-photo-Jean-Luc-Gerrin-300×300.jpg” title_text=”Fran\u00e7oise d'Eaubonne, January 10, 2001, Paris, Porte Saint-Denis” align_tablet=”center” align_phone=”center” align_last_edited=”on|tablet” disabled_on=”off|off|on” _builder_version=”4.23.1″ _module_preset=”default” border_radii=”on|15px|15px|15px|15px” border_width_all=”1px” border_color_all=”#bc8a00″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||||false|false” custom_css_main_element=”margin:auto;” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/\/2002-photo-Jean-Luc-Gerrin-300×300.jpg” title_text=”Fran\u00e7oise d'Eaubonne, January 10, 2001, Paris, Porte Saint-Denis” align=”center” src_tablet=”” src_phone=”” src_last_edited=”on|tablet” align_tablet=”center” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|off|off” _builder_version=”4.20.2″ _module_preset=”default” width=”84%” max_width=”100%” custom_margin=”30px||||false|false” custom_margin_tablet=”30px||||false|false” custom_margin_phone=”30px||||false|false” custom_margin_last_edited=”on|desktop” border_radii=”on|20px|20px|20px|20px” border_width_all=”1px” border_color_all=”#E09900″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” custom_padding_last_edited=”on|phone” disabled_on=”off|off|off” _builder_version=”4.23.4″ _module_preset=”default” background_enable_color=”off” transform_scale_tablet=”” transform_scale_phone=”” transform_scale_last_edited=”on|tablet” transform_translate_tablet=”-24px|0px” transform_translate_phone=”0px|24px” transform_translate_last_edited=”on|phone” transform_rotate_tablet=”” transform_rotate_phone=”” transform_rotate_last_edited=”on|desktop” transform_skew_tablet=”” transform_skew_phone=”” transform_skew_last_edited=”on|desktop” transform_origin_tablet=”” transform_origin_phone=”” transform_origin_last_edited=”on|desktop” transform_styles_last_edited=”on|phone” horizontal_offset_tablet=”32px” horizontal_offset_phone=”17px” horizontal_offset_last_edited=”on|desktop” width=”100%” width_tablet=”90%” width_phone=”” width_last_edited=”on|phone” max_width=”1504px” module_alignment=”center” custom_margin=”||||false|false” custom_padding=”||||true|false” custom_padding_tablet=”||||true|false” custom_padding_phone=”|23px|||true|false” filter_brightness=”110%” scroll_horizontal_motion=”0|85|85|100|4|0|-4″ transform_styles_tablet=”” transform_styles_phone=”” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.francoise-d-eaubonne.org\/wp-content\/uploads\/SI-seulement-1.jpg” title_text=”IF-only” _builder_version=”4.24.2″ _module_preset=”default” border_radii=”on|20px|20px|20px|20px” border_width_all=”2px” border_color_all=”#bf9500″ box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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<\/span> Home<\/span><\/a><\/span> 9<\/span> <\/span><\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>Fran\u00e7oise’s biography 1920-2005 in twenty-three stagesMarch 12, 1920 Birth of Fran\u00e7oise Marie-Th\u00e9r\u00e8se Piston d’Eaubonne in Paris, third of the five children of \u00c9tienne and Rosita Mariquita (n\u00e9e Martinez Franco) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":893836,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[272],"tags":[],"class_list":["post-884272","page","type-page","status-publish","hentry","category-from-francoise"],"yoast_head":"\nBiography - Fran\u00e7oise d'Eaubonne<\/title>\n<meta name=\"description\" content=\"Discover the key moments in the life of Fran\u00e7oise d'Eaubonne, a biography in twenty-three stages from 1920 to 2005.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.francoise-d-eaubonne.org\/en\/traces-of-francoise\/biography\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Biography - 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