{"id":1341266,"date":"2024-06-25T14:40:07","date_gmt":"2024-06-25T12:40:07","guid":{"rendered":"https:\/\/www.francoise-d-eaubonne.org\/feminist-art-factories\/"},"modified":"2024-08-21T13:41:02","modified_gmt":"2024-08-21T11:41:02","slug":"feminist-art-factories","status":"publish","type":"post","link":"https:\/\/www.francoise-d-eaubonne.org\/Hypathie\/en\/feminist-art-factories\/","title":{"rendered":"Feminist art factories"},"content":{"rendered":"<p style=\"text-align: right;\"><em>(Photography : Jean-Claude Aubry)<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Perspective<\/em>, a biannual devoted to art history news, has published its issue for the first half of 2024. Entitled \u201c<a href=\"https:\/\/www.lcdpu.fr\/books\/24E767BE-9AB1-4583-836C-8AB4637A2DAA\" target=\"_blank\" rel=\"noopener\">Autonomy<\/a>\u201d, the issue examines \u201cautonomy in art, based on key moments such as the rise of aesthetic philosophy in the 18th century, or modernist formalism and the avant-gardes of the last century. (&#8230;) Historians of art and architecture, anthropologists, philosophers and artists will examine the myth and prehistory of this concept through the links between art history and the human sciences, the relationship of art, works of art and artists to the social and moral fields and to political struggles, or by approaching works and images as vectors of emancipation or motors of autonomy. <\/p>\n<p style=\"text-align: justify;\">Among the many contributions, let&#8217;s highlight the fascinating conversation between B\u00e9atrice Josse and Fabienne Dumont on the theme of \u201c<a href=\"https:\/\/journals.openedition.org\/perspective\/30290\" target=\"_blank\" rel=\"noopener\">Feminist fabrications of art and art history: a \u2018paradoxical radicality\u2019?\u201d <\/a>B\u00e9atrice Josse founded the Fonds r\u00e9gional d&#8217;art contemporain de Lorraine and is deeply committed to women artists. Our friend Fabienne Dumont (photo above), art historian and critic, <span>is a specialist in feminist, gender, <i>queer<\/i> and masculinist issues in contemporary art in<\/span> France <span>and abroad<\/span>. <\/p>\n<p style=\"text-align: justify;\">This dialogue emphasizes the \u201cessential work of art historians and so-called feminist critics, who read, reread, research and discover works that have been invisibilized by mainstream history\u201d (B\u00e9atrice Josse), and illustrates it with numerous examples of resistance to \u201cthe place assigned to women and the world that men were constructing for them and their children. At the same time, women artists began to regain possession of their representations\u201d (Fabienne Dumont).<\/p>\n<p style=\"text-align: justify;\">Fabienne Dumont is currently working on a new edition for Presses du r\u00e9el of <i>Histoire de l&#8217;art et lutte des sexes<\/i>, a 1978 book by Fran\u00e7oise Hadjinicolaou, who attacked \u201cthe lack of feminist vision in Nicos Hadjinicolaou&#8217;s Marxist thought\u201d in <i>Histoire de l&#8217;art et lutte des classes<\/i>.Translated with DeepL.com (free version)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Photography : Jean-Claude Aubry) Perspective, a biannual devoted to art history news, has published its issue for the first half of 2024. Entitled \u201cAutonomy\u201d, the issue examines \u201cautonomy in art, based on key moments such as the rise of aesthetic philosophy in the 18th century, or modernist formalism and the avant-gardes of the last century&#8230;.<\/p>\n","protected":false},"author":6,"featured_media":1197583,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kb_optimizer_status":0,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[235,228],"tags":[],"class_list":["post-1341266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editions-en","category-news"],"_links":{"self":[{"href":"https:\/\/www.francoise-d-eaubonne.org\/Hypathie\/en\/wp-json\/wp\/v2\/posts\/1341266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francoise-d-eaubonne.org\/Hypathie\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.francoise-d-eaubonne.org\/Hypathie\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.francoise-d-eaubonne.org\/Hypathie\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francoise-d-eaubonne.org\/Hypathie\/en\/wp-json\/wp\/v2\/comments?post=1341266"}],"version-history":[{"count":1,"href":"https:\/\/www.francoise-d-eaubonne.org\/Hypathie\/en\/wp-json\/wp\/v2\/posts\/1341266\/revisions"}],"predecessor-version":[{"id":1341350,"href":"https:\/\/www.francoise-d-eaubonne.org\/Hypathie\/en\/wp-json\/wp\/v2\/posts\/1341266\/revisions\/1341350"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.francoise-d-eaubonne.org\/Hypathie\/en\/wp-json\/wp\/v2\/media\/1197583"}],"wp:attachment":[{"href":"https:\/\/www.francoise-d-eaubonne.org\/Hypathie\/en\/wp-json\/wp\/v2\/media?parent=1341266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.francoise-d-eaubonne.org\/Hypathie\/en\/wp-json\/wp\/v2\/categories?post=1341266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.francoise-d-eaubonne.org\/Hypathie\/en\/wp-json\/wp\/v2\/tags?post=1341266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}